PRINTMAKING

The Chat, charred pine sealed with beeswax, inlaid aquatint intaglio etching printed on lightweight BFK, PVA adhesive, hardware. 13 x 7 x 1.5, 2025.

Voyage, open bite copper plate intaglio etching, artist made Kozo and seaweed paper, 12 x 17”, 2024

Feeding, open bite copper plate intaglio etching, A la poupée, 2024

Backyard Burial, 6 x 2.5’, various quilted papers (handmade & store-bought), single-layer screen print, water color, gold-leaf, 2024

Finally Found Something Good, 16 x 8.5”, 13/20, 2024

The Dirt Dance, polymer plate intaglio, photolithography plate, Japanese Kitakata paper, hand built frame, twine, beads, grommets, 2023

Pocket Kiss, Polymer plate intaglio print on Japanese Kitakata paper, 2022

Microsis, 34 hour etch on copper, Reeves BFK, 2023

Not So Girl, 8/10, hard ground, aquatint, and embossment, Reeves BFK lightweight, 2022

To have known Peter, water-based silkscreen on Reeves BFK, 2022

Mother Dearest, a pregnant flea, my first water-based silk screen print, 2022

The Synthetic Ecosystem, A series of three lithographs about the bits of nature we see in cities and how it responds to living in an urban setting, 2021

After All, hard ground, aquatint, embossment, Reeves BFK heavyweight, detail shots, 2022